some Selected essays & Other SHORTER PIECES

on language, scores, teaching, and love:

  • Extract from ‘Swimming in the Muddy Waters of Language: A Score for Verbs’, in what happens, FORTHCOMING

on performance:

  • Sophie Seita & Naomi Woo, ‘The Minutes of the Hildegard von Bingen Society for Gardening Companions: Tools in the Garden Shed’, Performance Research, 28.2 On Meeting (Nov 2023), 26-28.

  • ‘Lessons of Decal (Language as Repertoire)’, Performance Research, 29.1 On Repertoire, ed. by Mischa Twitchin [FORTHCOMING]

  • Playing with Knowledge: On Lecture Performances’, TDR/The Drama Review, vol. 66, no. 3 (Sept 2022), 78-95.

  • ‘Too Good to Be Entirely True (A Coda on the Pleasure of Archives and Avant-Garde Publishing)’, Textual Practice, vol. 38, NO. 6, 1012–1017 (2024).

  • ‘“A Laboratory of Sensations”: Listening for Texture in Digital Performance’, OEI (Autumn 2022), special issue focused on new approaches to oral literatures, ed. by Michael Nardone.

  • ‘Books that Hold Performance’, Bomb, 151 (12 Mar 2020). [print & online]

  • ‘Lines Dancing’, The Times Literary Supplement (6 Dec 2019). [print & online]

  • You had to be there: getting to grips with performance art’, The Times Literary Supplement (19 Apr 2019), p. 27.

on experimental pedagogy, not-knowing, listening, collaboration, care:

on queer love poems & too-close reading:

on figure/s:

  • ‘Poetry’s Phantom Limbs’, in ON: FIGURE/S (MA BIBLIOTHÈQUE, 2021).

on poetry and song:

  • ‘Grace Notes for Bernadette’, on Bernadette Mayer’s sonnets, on Lemon Hound (2015).

on translation:

on magazines and small-press publishing: